It nourishes the soul. A handful of younger American actors, mostly women, have been able to stretch themselves in parts like that onscreen. Acker was always a welcome presence on TV shows such as Angel and Alias ; in her current series gig, as the blithely lethal hacker known as Root on Person of Interest, she displays the ability to alternate a near-sociopathic sangfroid with unexpected bursts of genuine passion—and she has the best walk on television, besides.
The theatrical arts are collaborative, both in the microcosm of an individual production and in the macrocosm of the culture that does, or does not, sustain them.
What's It Like Being an Extra in a Film or TV Show and How Do You Get the Gig?
The question is whether they can muster the imagination, and the stamina, to maintain their technique and their spirits while dealing with the sort of material available to them in this movie culture: cop dramas, superhero adventures, rom-coms and bro comedies, the occasional earnest, glacially paced indie. After watching a superhero movie set on a spaceship, they argue over drinks. You can see her lose, and then recover, her sense of herself.
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That the character who poses it is played by the same actress who portrays Bella in the Twilight movies adds a bit of extra zing: Stewart, while beset by vampires and werewolves and other fantastic creatures, must have asked it of herself a time or two. She did, against the odds, find something to play in those stupid pictures.
The male actors of her generation may travel an even tougher road. The fact is, the women are fine. Their problems will begin when they hit To make recognizable human beings out of the stock figures played by, say, Saldana in the revenge thriller Colombiana and Stone in the teen comedy Easy A is no small task. These actresses have the resources to pull it off. Perhaps, as the conventional wisdom goes, women mature earlier than men do: for whatever reason, American actresses seem to be growing up faster than their male counterparts.
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No crisis among the women, then. The men are another, sadder story. The ranks of interesting under American actors have begun to look dangerously thin, now that DiCaprio and Joaquin Phoenix have crossed the boundary. Being movie-star charming is too easy for an actor as smart as Gordon-Levitt; boredom looms.
Jesse Eisenberg seems to take only roles that require him to look bummed all the time. It starts with a child imagining himself as somebody else, trying on different roles, making faces in the mirror.
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When one or more other kids are present, impromptu scenarios are cooked up and parts are assigned, with the goal, always, of bringing into being something that would not otherwise have existed in the ordinary run of life—something more colorful, more vivid, something thrilling. In acting classes, play takes the disciplined form of directed improvisations. Acting at its highest level is very, very difficult, but at the end of it there has to be, for the actor, an internal silly grin of satisfaction, whether the role is Captain Kirk or Captain Ahab.
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What’s It Like Being an Extra in a Film or TV Show and How Do You Get the Gig?
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As with all things, there are exceptions to this, of course. For example, a scene in, say, a strip-club, will likely feature a handful of very scantily clad extras of the extremely attractive variety. Again, the running theme here being horses for courses. In a word- boring.
In three words- mind numbingly boring. In six- mind numbingly boring and occasionally degrading. You see, among the lowest on the hierarchy of a set is almost always the extras.
In regards to the filming process itself, extras, like children in a stereotypical British household, are expected to be seen and not heard. Beyond it being strictly forbidden to talk to the talent or distract them in any way, even in off time, in order to keep the various sounds in the film as isolated from other noises as possible, the mics are usually targeted at only recording the voices of the talent.
Virtually all background noises are then added in post-production. To avoid this, beyond being conscientious of body movements, some extras practice nonsense phrases they can repeatedly mouth to one another. For a little fun, pay attention to talking extras in the background next time you watch a movie. You can almost always spot the newbies from the veteran pro extras because of things like this. On that note, because most sounds are added in post-production, scenes involving parties, dancing, or cheering crowds are an especially surreal experience for extras, as the set is almost always completely silent while filming, other than the talent doing their thing.
And with cheering crowds, extras must be extremely careful not to actually make any clapping noises while they clap and otherwise raucously cheer silently. For those attached to their phones, it should be noted that smartphones and other such devices are largely banned from TV and movie sets, at least when talking about extras.
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